Abel Korzeniowski accepts IFMCA Award for A Single Man

IFMCA member Jon Broxton presents composer Abel Korzeniowski with an IFMCA Award

Composer Abel Korzeniowski has been presented with his International Film Music Critics Award by IFMCA members Jon Broxton and Oscar Flores.

Korzeniowski won the 2009 IFMCA Award for Best Drama score for A Single Man; he was also nominated for Breakout Composer of the Year. A Single Man was the directorial debut of fashion guru Tom Ford, and featured an Oscar-nominated performance by Colin Firth as a British college professor in 1960s Los Angeles coming to terms with the death of his long-term partner.

Composer Abel Korzeniowski

The score was one of 2009’s most critically acclaimed works; IFMCA member Tom Hoover described it as a “captivating score that has a beauty about it that is difficult to dismiss “. It was also nominated for a Golden Globe award.

Abel’s work in 2009 also included the animated science fiction adventure Battle for Terra.

James Peterson accepts IFMCA Awards for The Red Canvas

IFMCA member Jon Broxton presents composer James Peterson with an IFMCA Award

Composer James Peterson has been presented with his International Film Music Critics Awards by IFMCA members Jon Broxton and Oscar Flores.

Peterson won two awards at the 2009 IFMCA Awards, for Breakout Composer and Best Action/Adventure score for The Red Canvas. He was also nominated for Film Music Composition of the Year for the “Ballet for Brawlers” cue from that score, but lost out to Christopher Young’s “Concerto to Hell” from the film Drag Me to Hell.

IFMCA member Oscar Flores presents composer James Peterson with an IFMCA Award

The Red Canvas, which was directed by Kenneth Chamitoff and stars Ernie Reyes Jr., John Savage and George Takei, is a mixed martial arts action movie set in a prison, and has received almost universal praise for its score, Peterson’s first.

IFMCA member Tom Hoover described it as “a score that is an absolute delight to listen to“, while IFMCA member Conrado Xalabarder described it as “strong, implacable and apocalyptic”. The score has also been singled out by mainstream film critics as one of the standout elements of the film. 

IFMCA announces winners of 2009 Awards

MICHAEL GIACCHINO’S UP WINS BEST SCORE OF 2009

MARCH 1, 2010 - Michael Giacchino wins the 2009 Score of the Year award from the International Film Music Critics Association for his inventive and nostalgic score for the Disney Pixar film, UP, which also wins Best Original Score for an Animated Feature. Giacchino receives a total of four awards, including Composer of the Year, in part for also writing the Best Original Score to a Fantasy/Science Fiction Feature winner for the JJ Abrams STAR TREK reboot.

Giacchino won the Association’s first Score of the Year award in 2004 for another Pixar film, THE INCREDIBLES.

Christopher Young wins two awards for DRAG ME TO HELL: Original Score for a Horror/Thriller Film and Film Music Compostion of the Year for “Concerto to Hell.” Also receiving two awards is James Peterson for Breakout Composer of the Year and Best Original Score for an Action/Adventure Feature for the mixed martial arts prison movie THE RED CANVAS.

Veteran composer Marvin Hamlisch wins Best Original Score for a Comedy Film for Steven Soderbergh’s THE INFORMANT!, while Polish composer Abel Korzeniowski wins Best Original Score for a Drama Film for director Tom Ford’s debut film, A SINGLE MAN. Rounding out the feature film winners is Armand Amar’s Best Original Score for a Documentary Feature for the French nature documentary HOME.

In other original scoring categories, Bear McCreary who has been nominated for every season of BATTLESTAR GALACTICA wins his first award for Best Original Score for Television for the final season of the SyFy series; and James Hannigan receives the Best Original Score for a Video Game or Interactive Media award for the movie spin-off game for HARRY POTTER AND THE HALF BLOOD PRINCE.

Intrada takes its fourth Record Label of the Year award for its continued excellence in soundtrack release, including the long-anticipated, complete release of Alan Silvestri’s 1985 score for BACK TO THE FUTURE this year’s Best New Release/Re-Release of an Existing Score winner. The Film Score Monthly label takes the Best Film Music Compilation Album or Box Set award for DAVID RAKSIN AT M-G-M and Tadlow label wins the Best Re-Recording of an Existing Score award for its new recording of Ernest Gold’s EXODUS.

2009 FILM AWARD WINNERS

FILM SCORE OF THE YEAR
• UP, music by Michael Giacchino

FILM COMPOSER OF THE YEAR
• MICHAEL GIACCHINO

BREAKOUT COMPOSER OF THE YEAR
• JAMES PETERSON

BEST ORIGINAL SCORE FOR A DRAMA FILM
• A SINGLE MAN, music by Abel Korzeniowski

BEST ORIGINAL SCORE FOR A COMEDY FILM
• THE INFORMANT!, music by Marvin Hamlisch

BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE FILM
• THE RED CANVAS, music by James Peterson

BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION FILM
• STAR TREK, music by Michael Giacchino

BEST ORIGINAL SCORE FOR A HORROR/THRILLER FILM
• DRAG ME TO HELL, music by Christopher Young

BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE
• UP, music by Michael Giacchino

BEST ORIGINAL SCORE FOR A DOCUMENTARY FEATURE
• HOME, music by Armand Amar

FILM MUSIC COMPOSITION OF THE YEAR
• DRAG ME TO HELL – “Concerto to Hell,” music by Christopher Young

OTHER 2009 AWARDS

BEST ORIGINAL SCORE FOR TELEVISION
• BATTLESTAR GALACTICA [SEASON 4.5], music by Bear McCreary

BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA
• HARRY POTTER AND THE HALF-BLOOD PRINCE, music by James Hannigan

BEST NEW RELEASE/RE-RELEASE OF AN EXISTING SCORE
• BACK TO THE FUTURE, music by Alan Silvestri; Douglass Fake, producer (Intrada)

BEST RE-RECORDING OF AN EXISTING SCORE
• EXODUS, music by Ernest Gold, conductor Nic Raine; James Fitzpatrick, producer (Tadlow)

BEST FILM MUSIC COMPILATION ALBUM OR BOX SET
• DAVID RAKSIN AT M-G-M, music by David Raksin; Lukas Kendall, producer (Film Score Monthly)

FILM MUSIC RECORD LABEL OF THE YEAR
• INTRADA

The International Film Music Critics Association (IFMCA) is an association of online, print and radio journalists who specialize in writing about original film and television music.

The IFMCA was originally formed in the late 1990s as the now-defunct “Film Music Critics Jury” by editor and journalist Mikael Carlsson, a regular contributor to filmmusicradio.com and filmmusicmag.com, and the owner of the Swedish independent film music label MovieScore Media.

Since its inception, the IFMCA has grown to comprise over 50 members from countries as diverse as Australia, Belgium, Canada, Cyprus, France, Germany, Greece, Ireland, Italy, the Netherlands, Poland, Spain, Sweden, Switzerland, the United Kingdom, and the United States of America.

Previous IFMCA Score of the Year Awards have been awarded to Alexandre Desplat’s THE CURIOUS CASE OF BENJAMIN BUTTON in 2008, Dario Marianelli’s ATONEMENT in 2007, James Newton Howard’s LADY IN THE WATER in 2006, John Williams’ MEMOIRS OF A GEISHA in 2005 and Michael Giacchino’s THE INCREDIBLES in 2004.

IFMCA announces its 2009 nominees for scoring excellence

The International Film Music Critics Association announces its list of excellence in musical scoring for 2009 with composer Michael Giacchino receiving nine individual nominations, the most for any composer in a given year since the Association began issuing awards in 2004. Along with multiple mentions for his score to the Disney Pixar movie UP and JJ Abrams’ reinvented STAR TREK, Giacchino receives nominations for his scores to the TV series LOST as well as the documentary EARTH DAYS. Giacchino is also nominated for Composer of the Year along with Alexandre Desplat, James Horner, Christopher Young and Brian Tyler.

Both UP and STAR TREK are nominated for Score of the Year, along with James Horner’s score to the worldwide blockbuster AVATAR and Christopher Young’s score to Sam Raimi’s DRAG ME TO HELL. These film scores are tied with the most nominations this year at four noms each. Alexandre Desplat’s score to THE TWILIGHT SAGA: NEW MOON rounds out the category.

In the category of Breakout Composer, the Association took notice of scores by up-and-coming composers Henry Jackman (MONSTERS VS ALIENS), Abel Korzeniowski (A SINGLE MAN and BATTLE FOR TERRA), James Peterson (THE RED CANVAS), Clinton Shorter (DISTRICT 9) and Austin Wintory (CAPTAIN ABU RAED, GRACE, MAKE THE YULETIDE GAY).

The nominations by the IMFCA, which has members from around the world, reflect the Association’s global perspective. International nominees include Alejandro Amenábar’s latest movie AGORA with a score by Oscar winner Dario Marianelli; Giuseppe Tornatore’s semi-autobiographical BAARÌA with a score by Ennio Morricone; Australian composer Christopher Gordon’s score to Bruce Beresford’s MAO’S LAST DANCER, about ballet dancer Li Cunxin; as well as the Spanish documentary GARBO: EL ESPÍA with a score by Fernando Velázquez.

The International Film Music Critics will announce the winners of its Sixth Annual Awards on February 26, 2010.

The nominees are:

FILM SCORE OF THE YEAR

• AVATAR, music by James Horner
• DRAG ME TO HELL, music by Christopher Young
• STAR TREK, music by Michael Giacchino
• THE TWILIGHT SAGA: NEW MOON, music by Alexandre Desplat
• UP, music by Michael Giacchino

FILM COMPOSER OF THE YEAR

• Alexandre Desplat
• Michael Giacchino
• James Horner
• Brian Tyler
• Christopher Young

BREAKOUT COMPOSER OF THE YEAR

• Henry Jackman
• Abel Korzeniowski
• James Peterson
• Clinton Shorter
• Austin Wintory

BEST ORIGINAL SCORE FOR A DRAMA FILM

• AGORA, music by Dario Marianelli
• BAARÌA, music by Ennio Morricone
• CREATION, music by Christopher Young
• MAO’S LAST DANCER, music by Christopher Gordon
• A SINGLE MAN, music by Abel Korzeniowski

BEST ORIGINAL SCORE FOR A COMEDY FILM

• COUPLES RETREAT, music by A.R. Rahman
• DUPLICITY, music by James Newton Howard
• THE INFORMANT!, music by Marvin Hamlisch
• JULIE & JULIA, music by Alexandre Desplat
• LESBIAN VAMPIRE KILLERS, music by Debbie Wiseman

BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE FILM

• G.I. JOE: THE RISE OF COBRA, music by Alan Silvestri
• LUCKY LUKE, music by Bruno Coulais
• THE RED CANVAS, music by James Peterson
• SHERLOCK HOLMES, music by Hans Zimmer
• UNDER THE MOUNTAIN, music by Victoria Kelly

BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION FILM

• AVATAR, music by James Horner
• THE IMAGINARIUM OF DOCTOR PARNASSUS, music by Mychael Danna and Jeff Danna
• KNOWING, music by Marco Beltrami
• STAR TREK, music by Michael Giacchino
• THE TWILIGHT SAGA: NEW MOON, music by Alexandre Desplat

BEST ORIGINAL SCORE FOR A HORROR/THRILLER FILM

• DRAG ME TO HELL, music by Christopher Young
• IMAGO MORTIS, music by Zacarías M. de la Riva
• IN THE ELECTRIC MIST, music by Marco Beltrami
• THE KILLING ROOM, music by Brian Tyler
• TRICK ‘R TREAT, music by Douglas Pipes

BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE

• A CHRISTMAS CAROL, music by Alan Silvestri
• CORALINE, music by Bruno Coulais
• FANTASTIC MR. FOX, music by Alexandre Desplat
• THE PRINCESS AND THE FROG, music by Randy Newman
• UP, music by Michael Giacchino

BEST ORIGINAL SCORE FOR A DOCUMENTARY FEATURE

• BROTHERS AT WAR, music by Lee Holdridge
• EARTH DAYS, music by Michael Giacchino
• GARBO: EL ESPÍA, music by Fernando Velázquez
• HOME, music by Armand Amar
• UNDER THE SEA 3D, music by Micky Erbe and Maribeth Solomon

FILM MUSIC COMPOSITION OF THE YEAR

• AVATAR – “War,” music by James Horner
• DRAG ME TO HELL – “Concerto to Hell,” music by Christopher Young
• THE RED CANVAS – “Ballet for Brawlers,” music by James Peterson
• STAR TREK – “Enterprising Young Men,” music by Michael Giacchino
• UP – “Married Life,” music by Michael Giacchino

BEST ORIGINAL SCORE FOR TELEVISION

• BATTLESTAR GALACTICA [SEASON 4.5], music by Bear McCreary
• CAPRICA, music by Bear McCreary
• LIFE, music by George Fenton
• LOST [SEASON 5], music by Michael Giacchino
• YELLOWSTONE, music by Edmund Butt

BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA

• ASSASSIN’S CREED II, music by Jesper Kyd
• CALL OF DUTY: MODERN WARFARE 2, music by Lorne Balfe and Hans Zimmer
• HARRY POTTER AND THE HALF-BLOOD PRINCE, music by James Hannigan
• NIGHT AT THE MUSEUM: BATTLE OF THE SMITHSONIAN, music by Chris Tilton
• SPORE HERO, music by Winifred Phillips

BEST NEW RELEASE/RE-RELEASE OF AN EXISTING SCORE

• BACK TO THE FUTURE, music by Alan Silvestri; Douglass Fake, producer (Intrada)
• INNERSPACE, music by Jerry Goldsmith; M.V. Gerhard and Mike Matessino, producers (La-La Land)
• THE JOURNEY OF NATTY GANN, music by James Horner; James Horner, Simon Rhodes and Douglass Fake, producers (Intrada)
• STAR TREK II: THE WRATH OF KHAN, music by James Horner; Lukas Kendall, producer (Film Score Monthly)
• TWILIGHT ZONE: THE MOVIE, music by Jerry Goldsmith; Bruce Botnick, Lukas Kendall and Mike Matessino, producers (Film Score Monthly)

BEST RE-RECORDING OF AN EXISTING SCORE

• THE CHARGE OF THE LIGHT BRIGADE, music by Max Steiner, cond. William Stromberg; Anna Bonn, John Morgan and William Stromberg, producers (Tribute Film Classics)
• EXODUS, music by Ernest Gold, cond. Nic Raine; James Fitzpatrick, producer (Tadlow)
• THE PRINCE AND THE PAUPER, music by Erich Wolfgang Korngold, cond. William Stromberg; Anna Bonn, John Morgan and William Stromberg, producers (Tribute Film Classics)

BEST FILM MUSIC COMPILATION ALBUM OR BOX SET

• DAVID RAKSIN AT M-G-M, music by David Raksin; Lukas Kendall, producer (Film Score Monthly)
• THE FILM MUSIC OF MISCHA SPOLIANSKY, music by Mischa Spoliansky; Philip Lane, Ralph Couzens and Neil Varley, producers (Chandos)
• HOWARD SHORE: COLLECTOR’S EDITION Vol. 1, music by Howard Shore; Jonathan Schultz, producer (Howe)
• NORTHWEST PASSAGE: CLASSIC WESTERN SCORES FROM M-G-M Vol. 2 (1940-1974), music by various composers; Lukas Kendall, producer (Film Score Monthly)
• VLADIMIR COSMA: 40 BANDES ORIGINALES POUR 40 FILMS, music by Vladimir Cosma; Vladimir Cosma, producer (Larghetto Music)

FILM MUSIC RECORD LABEL OF THE YEAR

• Film Score Monthly
• Intrada
• La-La Land Records
• MovieScore Media
• Varèse Sarabande

Nomination period for 2009 IFMCA Awards begins

The official nomination period for the 2009 IFMCA Awards has begun today. The list of nominees will be announced on Friday, January 29th 2010.

Welcome new members

The IFMCA is delighted to announce that four new members have joined the Association in recent months:

• Tim Burden, a writer from Northern Ireland who contributes reviews and articles to Film Score Monthly 
• Olivier Desbrosses, owner and reviewer for the French film music website Underscores
• Oscar Flores,  a Los Angeles-based reviewer who is currently co-Editor-in-Chief for Film Music Site
• Jim Lochner, editor and writer for Film Score Click Track.com

Welcome to the new members; we’re sure they will be valuable contributors in the years to come.

IFMCA announces its 2008 winners for scoring excellence

ALEXANDRE DESPLAT’S THE CURIOUS CASE OF BENJAMIN BUTTON WINS BEST SCORE OF 2008

Alexandre Desplat wins the 2008 IFMCA’S Film Score of the Year Award for THE CURIOUS CASE OF BENJAMIN BUTTON, David Fincher’s imaginative re-telling of a 1921 F. Scott Fitzgerald short story about a man who ages backwards from an old man to a baby. These are the fourth and fifth awards for Desplat from the IFMCA, having been named Composer of the Year in 2006 and 2007. The score also wins Best Original Score for a Dramatic Film.

Danny Elfman is named Film Composer of the Year for his excellence in scoring four high-profile movies this year: MILK, WANTED, HELLBOY II: THE GOLDEN ARMY and STANDARD OPERATING PROCEDURE. The latter score also wins Elfman an individual scoring award for Best Original Score for a Documentary Feature.

Canadian composer Andrew Lockington wins Breakout Composer of the Year for his two high-profile scores in 2008: JOURNEY TO THE CENTER OF THE EARTH and CITY OF EMBER. Lockington is a former orchestrator for fellow Canadian composer Mychael Danna, and worked with his countryman on scores such as 8MM, GIRL INTERRUPTED and HEARTS IN ATLANTIS before embarking on his solo composing career.

Thomas Newman’s score for Pixar’s WALL*E wins Best Original Score for an Animated Feature. John Williams’ score for Steven Spielberg’s INDIANA JONES AND THE KINGDOM OF THE CRYSTAL SKULL wins Best Original Score for an Action/Adventure Film, and James Newton Howard wins for his score to THE HAPPENING in the Best Original Score for a Horror/Thriller Film category. Javier Navarrete’s score to INKHEART, which opened in parts of Europe in 2008, receives the award for Best Original Score for a Fantasy/Science Fiction Film. The Coen Brothers’ BURN AFTER READING wins Best Original Score for a Comedy Film for their longtime collaborator Carter Burwell, and Michael Giacchino wins Film Music Composition of the Year for his “Roar Overture” from CLOVERFIELD that played during the end credits of the monster ‘reality’ movie which otherwise did not include any other underscore.

Non-film winners include Robert Lane and Joseph Vitarelli, who win Best Original Score for Television to for their score for the HBO mini-series, JOHN ADAMS; Norwegian composer Knut Avenstroup Haugen, who wins Best Original Score for a Video Game or Interactive Media for the Funcom PC role-playing game AGE OF CONAN: HYBORIAN ADVENTURES; and the Intrada label, which wins Film Music Record Label of the Year for the third year in a row for their continuing excellence in releasing older, catalog scores, some for the first time, including their world premiere release of the complete score to Jerry Goldsmith’s 1978 THE BOY FROM BRAZIL, which wins this year’s prize for Best New Release/Re-Release of an Existing Score.

2008 FILM WINNERS:

FILM SCORE OF THE YEAR
• The Curious Case of Benjamin Button, music by Alexandre Desplat

FILM COMPOSER OF THE YEAR
• Danny Elfman

BREAKOUT COMPOSER OF THE YEAR
• Andrew Lockington

BEST ORIGINAL SCORE FOR A DRAMA FILM
• The Curious Case of Benjamin Button, music by Alexandre Desplat

BEST ORIGINAL SCORE FOR A COMEDY FILM
• Burn After Reading, music by Carter Burwell

BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE FILM
• Indiana Jones and the Kingdom of the Crystal Skull, music by John Williams

BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION FILM
• Inkheart, music by Javier Navarrete

BEST ORIGINAL SCORE FOR A HORROR/THRILLER FILM
• The Happening, music by James Newton Howard

BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE
• Wall*E, music by Thomas Newman

BEST ORIGINAL SCORE FOR A DOCUMENTARY FEATURE
• Standard Operating Procedure, music by Danny Elfman

FILM MUSIC COMPOSITION OF THE YEAR
• Cloverfield: “Roar Overture,” music by Michael Giacchino

OTHER CATEGORIES:

BEST ORIGINAL SCORE FOR TELEVISION
• John Adams, music by Robert Lane and Joseph Vitarelli

BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA
• Age of Conan: Hyborian Adventures, music by Knut Avenstroup Haugen

BEST NEW RELEASE/RE-RELEASE OF AN EXISTING SCORE
• The Boys from Brazil, music by Jerry Goldsmith; produced by Douglass Fake (Intrada)

BEST RE-RECORDING OF AN EXISTING SCORE
• El Cid, music by Miklós Rózsa; conducted by Nic Raine, produced by James Fitzpatrick (Tadlow)

BEST COMPILATION ALBUM OR BOX SET
• Indiana Jones: The Soundtracks Collection, music by John Williams; produced by Laurent Bouzereau (Concord)

FILM MUSIC RECORD LABEL OF THE YEAR
• Intrada