FILM SCORE OF THE YEAR

  • Solo, music by John Powell
  • Black Panther, music by Ludwig Göransson
  • First Man, music by Justin Hurwitz
  • Mary Poppins Returns, music by Marc Shaiman
  • Max and Me, music by Mark McKenzie

FILM COMPOSER OF THE YEAR

  • James Newton Howard
  • Roque Baños
  • Nicholas Britell
  • Ludwig Göransson
  • Alan Silvestri

BREAKTHROUGH COMPOSER OF THE YEAR

  • Amelia Warner
  • Thomas Adès
  • Iván Palomares
  • Manuel Riveiro
  • Thom Yorke

BEST ORIGINAL SCORE FOR A DRAMA FILM

  • Mary, Queen of Scots, music by Max Richter
  • En las Estrellas/Up Among the Stars, music by Iván Palomares
  • First Man, music by Justin Hurwitz
  • If Beale Street Could Talk, music by Nicholas Britell
  • Vice, music by Nicholas Britell

BEST ORIGINAL SCORE FOR A COMEDY FILM

  • Mary Poppins Returns, music by Marc Shaiman
  • Christopher Robin, music by Geoff Zanelli and Jon Brion
  • Crazy Rich Asians, music by Brian Tyler
  • The Sisters Brothers, music by Alexandre Desplat
  • Videomannen/Videoman, music by Robert Parker and Waveshaper

BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE/THRILLER FILM

  • Red Sparrow, music by James Newton Howard
  • King of Thieves, music by Benjamin Wallfisch
  • La Sombra de la Ley/Gun City, music by Manuel Riveiro and Xavier Font
  • Mission: Impossible – Fallout, music by Lorne Balfe
  • Operation Finale, music by Alexandre Desplat

BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION/HORROR FILM

  • Solo, music by John Powell
  • Black Panther, music by Ludwig Göransson
  • Fantastic Beasts: The Crimes of Grindelwald, music by James Newton Howard
  • Jurassic World: Fallen Kingdom, music by Michael Giacchino
  • Ready Player One, music by Alan Silvestri

BEST ORIGINAL SCORE FOR AN ANIMATED FILM

  • Max and Me, music by Mark McKenzie
  • Incredibles 2, music by Michael Giacchino
  • Isle of Dogs, music by Alexandre Desplat
  • Spider-Man: Into the Spider-Verse, music by Daniel Pemberton
  • Watership Down, music by Federico Jusid

BEST ORIGINAL SCORE FOR A DOCUMENTARY

  • Tides of Fate, music by Pinar Toprak
  • Dynasties, music by Benji Merrison and Will Slater
  • Free Solo, music by Marco Beltrami
  • McQueen, music by Michael Nyman
  • Wild, music by Matthijs Kieboom

BEST ORIGINAL SCORE FOR A TELEVISION SERIES

  • Lost in Space, music by Christopher Lennertz
  • Aiqing de Bianjiang/Frontier of Love, music by Mark Chait
  • La Catedral del Mar, music by Federico Jusid
  • Westworld, music by Ramin Djawadi
  • Yellowstone, music by Brian Tyler

BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA

  • God of War, music by Bear McCreary
  • 11:11 Memories Retold, music by Olivier Derivière
  • Ni No Kuni II: Revenant Kingdom, music by Joe Hisaishi
  • Spider-Man, music by John Paesano
  • Torn, music by Garry Schyman

BEST ARCHIVAL RELEASE – NEW RELEASE OR NEW RECORDING OF AN EXISTING SCORE

  • Dracula, music by John Williams; album produced by Mike Matessino and Robert Townson; liner notes by Mike Matessino; art direction by Jim Titus (Varèse Sarabande)
  • Bram Stoker’s Dracula, music by Wojciech Kilar; album produced by Dan Goldwasser; liner notes by Tim Greiving; art direction by Dan Goldwasser (La-La Land)
  • The Bride Wore Black, music by Bernard Herrmann; The Basque National Orchestra conducted by Fernando Velázquez; album produced by Jose M. Benitez and Edouard Dubois; liner notes by Frank K. DeWald; art direction by Nacho B. Govantes (Quartet)
  • El Hombre Y La Tierra, music by Antón García Abril; album produced by Jose M. Benitez and Miguel A. Órdóñez; liner notes by Miguel A. Órdóñez; art direction by Nacho B. Govantes (Quartet)
  • The Vikings, music by Mario Nascimbene; The City of Prague Philharmonic Orchestra & Chorus conducted by Nic Raine; album produced by James Fitzpatrick; liner notes by Frank K. DeWald; art direction by Jim Titus (Prometheus/Tadlow)

BEST ARCHIVAL RELEASE – COMPILATION

  • Harry Potter: The John Williams Soundtrack Collection; music by John Williams; album produced by Mike Matessino; liner notes by Mike Matessino; art direction by Jim Titus (La-La Land)
  • Carter Burwell: Music For Film, music by Carter Burwell; The Brussels Philharmonic Orchestra conducted by Dirk Brossé; album produced by Marijke Vandebuerie and Valerie Dobbelaere; liner notes by Patrick Duynslaegher and Raf Butstraen; art direction by Stuart Ford (Silva Screen)
  • The Complete London Sessions, music by Georges Delerue; album produced by Robert Townson; liner notes by Robert Townson; art direction by Robert Townson, Bill Pitzonka, and Bob Peak (Varèse Sarabande)
  • Thriller 2, music by Jerry Goldsmith; The City of Prague Philharmonic Orchestra conducted by Nic Raine; album produced by James Fitzpatrick and Leigh Phillips; liner notes by Jon Burlingame; art direction by Nic Finch (Tadlow)
  • A Tribute to Michael Kamen, music by Michael Kamen; The Malaga Philharmonic Orchestra conducted by Pablo Urbina; album produced by José M. Benítez and Chris Malone; art direction by Nacho B. Govantes (Quartet)

FILM MUSIC LABEL OF THE YEAR

  • La-La Land Records, MV Gerhard, Matt Verboys
  • Intrada Records, Douglass Fake, Roger Feigelson
  • Quartet Records, Jose M. Benitez
  • Tadlow Music, James Fitzpatrick
  • Varése Sarabande, Robert Townson

FILM MUSIC COMPOSITION OF THE YEAR

  • “The Adventures of Han” from Solo, written by John Williams
  • “The Landing” from First Man, written by Justin Hurwitz
  • “Finale” from Mary, Queen of Scots, written by Max Richter
  • “Overture” from Red Sparrow, written by James Newton Howard
  • “Mine Mission” from Solo, written by John Powell