FILM SCORE OF THE YEAR
- Life of Pi, music by Mychael Danna
- Cloud Atlas, music by Tom Tykwer, Johnny Klimek and Reinhold Heil
- The Hobbit: An Unexpected Journey, music by Howard Shore
- The Impossible, music by Fernando Velázquez
- Lincoln, music by John Williams
FILM COMPOSER OF THE YEAR
- Danny Elfman
- Mychael Danna
- Alexandre Desplat
- Fernando Velázquez
- John Williams
BREAKTHROUGH COMPOSER OF THE YEAR
- Nathan Johnson
- Zeltia Montes
- Nic Raine
- Dan Romer & Benh Zeitlin
- Joseph Trapanese
BEST ORIGINAL SCORE FOR A DRAMA FILM
- Lincoln, music by John Williams
- Anna Karenina, music by Dario Marianelli
- The Impossible, music by Fernando Velázquez
- Life of Pi, music by Mychael Danna
- There Be Dragons – Secretos De Pasión, music by Robert Folk
BEST ORIGINAL SCORE FOR A COMEDY FILM
- Ted, music by Walter Murphy
- Moonrise Kingdom, music by Alexandre Desplat
- Salmon Fishing in the Yemen, music by Dario Marianelli
- The Sessions, music by Marco Beltrami
- Silver Linings Playbook, music by Danny Elfman
BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE/THRILLER FILM
- Skyfall, music by Thomas Newman
- The Amazing Spider-Man, music by James Horner
- Dans La Maison, music by Philippe Rombi
- The Dark Knight Rises, music by Hans Zimmer
- Zero Dark Thirty, music by Alexandre Desplat
BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION/HORROR FILM
- John Carter, music by Michael Giacchino
- Cloud Atlas, music by Tom Tykwer, Johnny Klimek and Reinhold Heil
- The Hobbit: An Unexpected Journey, music by Howard Shore
- Prometheus, music by Marc Streitenfeld, additional music by Harry Gregson-Williams
- Sinister, music by Christopher Young
BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE
- Rise of the Guardians, music by Alexandre Desplat
- Brave, music by Patrick Doyle
- Frankenweenie, music by Danny Elfman
- Paranorman, music by Jon Brion
- Secret of the Wings, music by Joel McNeely
BEST ORIGINAL SCORE FOR A DOCUMENTARY
- Metsän Tarina, music by Panu Aaltio
- Kingdom of Plants, music by Joel Douek, Freddy Sheinfeld and Elik Alvarez
- Los Mundos Sutiles, music by Pascal Gaigne
- Samsara, music by Lisa Gerrard and Michael Stearns
- Shakespeare & Us, music by Miguel d’Oliveira
BEST ORIGINAL SCORE FOR TELEVISION
- Doctor Who, music by Murray Gold
- Downton Abbey, music by John Lunn
- Green Lantern: The Animated Series, music by Frederik Wiedmann
- Isabel, music by Federico Jusid
- Priceless, music by Naoki Sato
BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA
- Journey, music by Austin Wintory
- Kingdoms of Amalur: Reckoning, music by Grant Kirkhope
- Resistance: Burning Skies, music by Jason Graves and Kevin Riepl
- Starhawk, music by Christopher Lennertz
- World of Warcraft: Mists of Pandaria, music by Russell Brower, Neal Acree, Sam Cardon, Edo Guidotti and Jeremy Soule
BEST ARCHIVAL RELEASE OF AN EXISTING SCORE
- Star Trek: The Motion Picture, music by Jerry Goldsmith; album produced by Didier C. Deutsch, Mike Matessino, Bruce Botnick, MV Gerhard, Matt Verboys and David C. Fein; liner notes by Jeff Bond and Mike Matessino; album art direction by Jim Titus (La-La Land)
- Ben-Hur, music by Miklós Rózsa; album produced by Lukas Kendall, Mike Matessino and Neil S. Bulk; liner notes by Jeff Bond and Frank K. Dewald; album art direction by Joe Sikoryak (Film Score Monthly)
- Conan the Barbarian, music by Basil Poledouris; album produced Douglass Fake; liner notes by Nick Redman; album art direction by Joe Sikoryak (Intrada)
- Hook, music by John Williams; album produced by Didier C. Deutsch, Mark G. Wilder, MV Gerhard and Matt Verboys; liner notes by Daniel Schweiger; album art direction by Jim Titus (La-La Land)
- Star Trek: The Original Series, music by Alexander Courage, George Duning, Jerry Fielding, Gerald Fried, Sol Kaplan, Samuel Matlovsky, Joseph Mullendore and Fred Steiner; album produced by Lukas Kendall, Neil S. Bulk, Jeff Bond, MV Gerhard and Matt Verboys; liner notes by Jeff Bond; album art direction by Joe Sikoryak (La-La Land)
BEST ARCHIVAL RE-RECORDING OF AN EXISTING SCORE
- Quo Vadis?, music by Miklós Rózsa; conducted by Nic Raine; album produced by James Fitzpatrick and Luc Van De Ven; liner notes by Frank K. DeWald; album art direction by Ginko Digi (Prometheus/Tadlow)
- The Adventures of Don Juan/Arsenic and Old Lace, music by Max Steiner; conducted by William Stromberg; album produced by William Stromberg, John Morgan and Anna Bonn; liner notes by James V. d’Arc, Ryan Brennan and Curt Hardaway; album art direction by Jim Titus (Tribute Film Classics)
- Notre Dame de Paris – The Music of Maurice Jarre, music by Maurice Jarre; conducted by Nic Raine; album produced by James Fitzpatrick; liner notes by James Fitzpatrick and Frank K. DeWald; album art direction by Damien Doherty (Tadlow)
- The Red House, music by Miklós Rózsa; conducted by Allan Wilson; album produced by Kevin Kaska and Douglass Fake; liner notes by Dan Robbins and Frank K. DeWald; album art direction by Joe Sikoryak (Intrada)
- Wings, music by J.S. Zamecnik; conducted by Peter Boyer and Ira Hearshen; album produced by Dominik Hauser, Jeannie Gayle Pool, Dan Goldwasser, MV Gerhard and Matt Verboys; liner notes by Jeannie Gayle Pool; album art direction by Dan Goldwasser (La-La Land)
FILM MUSIC RECORD LABEL OF THE YEAR
- La-La Land Records, MV Gerhard and Matt Verboys
- Intrada Records, Douglass Fake and Roger Feigelson
- Moviescore Media, Mikael Carlsson
- Quartet Records, Jose M. Benitez
- Tadlow Music, James Fitzpatrick
FILM MUSIC COMPOSITION OF THE YEAR
- “The Impossible Main Title” from The Impossible, music by Fernando Velázquez
- “The Cloud Atlas Sextet for Orchestra” from Cloud Atlas, music by Tom Tykwer, Johnny Klimek and Reinhold Heil
- “John Carter of Mars” from John Carter, music by Michael Giacchino
- “Pi’s Lullaby” from Life of Pi, music by Mychael Danna and Bombay Jayashri
- “The Peterson House and Finale” from Lincoln, music by John Williams