FILM SCORE OF THE YEAR
- The Personal History of David Copperfield, music by Christopher Willis
- The Call of the Wild, music by John Powell
- Enola Holmes, music by Daniel Pemberton
- Fukushima 50, music by Tarō Iwashiro
- Wonder Woman 1984, music by Hans Zimmer
FILM COMPOSER OF THE YEAR
- Daniel Pemberton
- Federico Jusid
- Bear McCreary
- Christopher Willis
- Hans Zimmer
BREAKTHROUGH COMPOSER OF THE YEAR
- Thomas Clay
- Alex Baranowski
- Philip Klein
- Nami Melumad
- Isobel Waller-Bridge and David Schweitzer
FILM MUSIC COMPOSITION OF THE YEAR
- “Main Title” from The Queen’s Gambit, music by Carlos Rafael Rivera
- “1984” from Wonder Woman 1984, music by Hans Zimmer
- “Buck Takes the Lead” from The Call of the Wild, music by John Powell
- “Symphonic Suite F – 1st Chapter: All Life” from Fukushima 50, music by Tarō Iwashiro
- “Themyscira” from Wonder Woman 1984, music by Hans Zimmer
BEST ORIGINAL SCORE FOR A DRAMA FILM
- Fukushima 50, music by Tarō Iwashiro
- Da 5 Bloods, music by Terence Blanchard
- Fanny Lye Deliver’d, music by Thomas Clay
- News of the World, music by James Newton Howard
- The Trial of the Chicago 7, music by Daniel Pemberton
BEST ORIGINAL SCORE FOR A COMEDY FILM
- The Personal History of David Copperfield, music by Christopher Willis
- An American Pickle, music by Michael Giacchino and Nami Melumad
- Emma, music by Isobel Waller-Bridge and David Schweitzer
- Godmothered, music by Rachel Portman
- Wild Mountain Thyme, music by Amelia Warner
BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE/THRILLER FILM
- The Call of the Wild, music by John Powell
- Enola Holmes, music by Daniel Pemberton
- Mulan, music by Harry Gregson-Williams
- Orígenes Secretos [Unknown Origins], music by Federico Jusid
- Tenet, music by Ludwig Göransson
BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION/HORROR FILM
- Wonder Woman 1984, music by Hans Zimmer
- The Invisible Man, music by Benjamin Wallfisch
- The Midnight Sky, music by Alexandre Desplat
- Wendy, music by Dan Romer and Benh Zeitlin
- The Witches, music by Alan Silvestri
BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE
- Wolfwalkers, music by Bruno Coulais
- Animal Crackers, music by Bear McCreary
- Fearless, music by Anne-Kathrin Dern
- Onward, music by Mychael Danna and Jeff Danna
- Soul, music by Trent Reznor, Atticus Ross, and Jon Batiste
BEST ORIGINAL SCORE FOR A DOCUMENTARY
- David Attenborough: A Life On Our Planet, music by Steven Price
- Elephant, music by Ramin Djawadi
- Harbor From The Holocaust, music by Chad Cannon
- Rising Phoenix, music by Daniel Pemberton
- Sadan Hanim, music by George Kallis
BEST ORIGINAL SCORE FOR TELEVISION
- The Queen’s Gambit, music by Carlos Rafael Rivera
- Dracula, music by David Arnold and Michael Price
- His Dark Materials, music by Lorne Balfe
- Lovecraft Country, music by Laura Karpman and Raphael Saadiq
- The Mandalorian, music by Ludwig Göransson
BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA
- Medal of Honor: Above and Beyond, music by Michael Giacchino and Nami Melumad
- Ghost of Tsushima, music by Ilan Eshkeri and Shigeru Umebayashi
- Ori and the Will of the Wisps, music by Gareth Coker
- The Pathless, music by Austin Wintory
- Star Wars: Squadrons, music by Gordy Haab
BEST NEW ARCHIVAL RELEASE – RE-RELEASE OR RE-RECORDING
- King of Kings, music by Miklós Rózsa; the City of Prague Philharmonic Orchestra and Chorus, conducted by Nic Raine; album produced by James Fitzpatick; liner notes by Frank K. DeWald and James Fitzpatrick; album art direction by Nic Finch and Gareth Bevan (Tadlow Music)
- Endless Night, music by Bernard Herrmann; the Basque National Orchestra, conducted by Fernando Velázquez; album produced by Edouard Dubois and José M. Benitez; liner notes by Frank K. DeWald; album art direction by Nacho B. Govantes (Quartet)
- The Good, the Bad, and the Ugly, music by Ennio Morricone; album produced by Chris Malone and José M. Benitez; liner notes by Chris Malone and Tim Greiving; album art direction by Nacho B. Govantes (Quartet)
- How to Train Your Dragon, music by John Powell; album produced by John Powell, Batu Sener, Bryon Davis, and Cary E. Mansfield; liner notes by Tim Greiving; album art direction by Bill Pitzonka (Varèse Sarabande/5 Cat Studios)
- Robin Hood: Prince of Thieves, music by Michael Kamen; album produced by Douglass Fake and Roger Feigelson; liner notes by Frank K. DeWald; album art direction by Kay Marshall (Intrada)
BEST NEW ARCHIVAL RELEASE – COMPILATION
- John Williams in Vienna, music by John Williams; the Wiener Philharmoniker and Anne-Sophie Mutter, conducted by John Williams; album produced by Bernhard Güttler; liner notes by Otta Biba; album art direction by Büro Dirk Rudolph (Deutsche Grammophon)
- Franz Waxman: The Documentaries, music by Franz Waxman; album produced by Ford A. Thaxton and James Nelson; liner notes by Jon Burlingame; album art direction by Mark Banning (Dragon’s Domain)
- Morricone Segreto, music by Ennio Morricone; album produced by Pierpaolo De Sanctis; album art direction by Leonardo Pellegrino (Decca)
- Voyage to the Bottom of the Sea, music by Alexander Courage, Robert Drasnin, Jerry Goldsmith, Lennie Hayton, Joseph Mullendore, Nelson Riddle, Paul Sawtell, Herman Stein, and Leith Stevens; album produced by Jeff Bond and Neil S. Bulk; liner notes by Jeff Bond; album art direction by Mark Banning (La-La Land)
- World Soundtrack Awards – Tribute to the Film Composer, music by Various Composers; the Brussels Philharmonic Orchestra and Vlaams Radiokoor, conducted by Dirk Brossé; album produced by Thomas Van Parys; liner notes by Thomas Van Parys; album art direction by Stuart Ford (Silva Screen/Film Fest Ghent)
FILM MUSIC RECORD LABEL OF THE YEAR
- Quartet Records, José M. Benitez
- Intrada Records, Douglass Fake and Roger Feigelson
- La-La Land Records, MV Gerhard and Matt Verboys
- Moviescore Media, Mikael Carlsson
- Tadlow Music, James Fitzpatrick