FILM SCORE OF THE YEAR
- Coppelia, music by Maurizio Malagnini
- Dune, music by Hans Zimmer
- The Green Knight, music by Daniel Hart
- Jungle Cruise, music by James Newton Howard
- The Last Duel, music by Harry Gregson-Williams
FILM COMPOSER OF THE YEAR
- James Newton Howard
- Panu Aaltio
- Nicholas Britell
- Jonny Greenwood
- Hans Zimmer
BREAKTHROUGH COMPOSER OF THE YEAR
- Oscar Martín Leanizbarrutia
- Amie Doherty
- Stephanie Economou
- Arthur Sharpe
- Raphaelle Thibaut
FILM MUSIC COMPOSITION OF THE YEAR
- “Arachnoverture” from Spider-Man: No Way Home, music by Michael Giacchino
- “Claret, Tema Principal” from Claret, music by Oscar Martín Leanizbarrutia
- “The Final Battle” from My Country, My Parents [Wo He Wo De Fubei], music by Gordy Haab
- “Grand Finale” from Coppelia, music by Maurizio Malagnini
- “Riddles” from Buckley’s Chance, music by Christopher Gordon
BEST ORIGINAL SCORE FOR A DRAMA FILM
- The Curse of Turandot, music by Simon Franglen
- Buckley’s Chance, music by Christopher Gordon
- The Last Duel, music by Harry Gregson-Williams
- The Power of the Dog, music by Jonny Greenwood
- Spencer, music by Jonny Greenwood
BEST ORIGINAL SCORE FOR A COMEDY FILM
- Cruella, music by Nicholas Britell
- Délicieux, music by Christophe Julien
- Don’t Look Up, music by Nicholas Britell
- The French Dispatch, music by Alexandre Desplat
- The Potato Venture [Peruna], music by Panu Aaltio
BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE/THRILLER FILM
- Jungle Cruise, music by James Newton Howard
- Gunpowder Milkshake, music by Frank Ilfman
- The King’s Man, music by Matthew Margeson and Dominic Lewis
- Last Night in Soho, music by Steven Price
- No Time to Die, music by Hans Zimmer
BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION/HORROR FILM
- Coppelia, music by Maurizio Malagnini
- Dune, music by Hans Zimmer
- Ghostbusters: Afterlife, music by Rob Simonsen
- The Green Knight, music by Daniel Hart
- Spider-Man: No Way Home, music by Michael Giacchino
BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE
- Raya and the Last Dragon, music by James Newton Howard
- Encanto, music by Germaine Franco
- Luca, music by Dan Romer
- Spirit Untamed, music by Amie Doherty
- Wish Dragon, music by Philip Klein
BEST ORIGINAL SCORE FOR A DOCUMENTARY
- Tale of the Sleeping Giants [Tunturin Tarina], music by Panu Aaltio
- The Arctic: Our Last Great Wilderness, music by Alex Heffes
- Julia, music by Rachel Portman
- A Perfect Planet, music by Ilan Eshkeri
- Qinghai: Our National Park, music by Chad Cannon
BEST ORIGINAL SCORE FOR TELEVISION
- Masters of the Universe: Revelation, music by Bear McCreary
- Cobra Kai, music by Leo Birenberg and Zach Robinson
- Foundation, music by Bear McCreary
- Loki, music by Natalie Holt
- Lost In Space, music by Christopher Lennertz
BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA
- Ratchet & Clank: Rift Apart, music by Mark Mothersbaugh and Wataru Hokoyama
- Ark: Gonesis Part II, music by Gareth Coker
- Call of Duty: Vanguard, music by Bear McCreary
- Ghost of Tsushima: Iki Island & Legends, music by Chad Cannon and Bill Hemstapat, theme by Ilan Eshkeri
- Marvel’s Guardians of the Galaxy, music by Richard Jacques
BEST NEW ARCHIVAL RELEASE – RE-RELEASE OR RE-RECORDING
- The Diary of Anne Frank, music by Alfred Newman; album produced by Nick Redman, Mike Matessino, and Neil S. Bulk; liner notes by Julie Kirgo; album art direction by Jim Titus (La-La Land)
- The Eiger Sanction, music by John Williams; album produced by Mike Matessino; liner notes by Jon Burlingame; album art direction by Kay Marshall (Intrada)
- Legend, music by Jerry Goldsmith; album produced by Cyril Durand-Roger, Laurent Lafarge, Reynold d’Silva, and David Stoner; liner notes by Jeff Bond; album art direction by David Marques (Music Box/Silva Screen)
- Lionheart, music by Jerry Goldsmith; album produced by Cary Mansfield; liner notes by Tim Grieving; album art direction by Bill Pitzonka (Varèse Sarabande)
- The Tamarind Seed, music by John Barry; album produced by Geoff Leonard, Pete Walker, Ruud Rozemeijer, David Stoner, and Reynold d’Silva; liner notes by Geoff Leonard and Pete Walker; album art direction by Stuart Ford (Silva Screen)
BEST NEW ARCHIVAL RELEASE – COMPILATION
- The Film Scores of Bernard Herrmann, music by Bernard Herrmann; album produced by Tony d’Amato, Gavin Barratt, Raymond Few, and Tim McDonald; liner notes by Tom Schneller; album art direction by Matt Read (Phase 4/Deutsche Grammophon)
- Gabriel Yared: Music For Film, music by Gabriel Yared; the Brussels Philharmonic Orchestra and Vlaams Radiokoor, conducted by Dirk Brossé; album produced by Thomas Van Parys and Marijke Vandeburie; liner notes by Thomas Van Parys; album art direction by Stuart Ford (Silva Screen/Film Fest Gent)
- Pedro Almodóvar & Alberto Iglesias Film Music Collection, music by Alberto Iglesias; album produced by José M. Benitez and Alberto Iglesias; liner notes by Pedro Almodóvar, Alberto Iglesias, and Manuel J. Lombardo; album art direction by Nacho B. Govantes and Luca Barcellona (Quartet)
- The Pink Panther Final Chapters Collection (Trail of the Pink Panther/Curse of the Pink Panther/Son of the Pink Panther), music by Henry Mancini; album produced by Chris Malone; liner notes by John Takis; album art direction by Nacho B. Govantes (Quartet)
- Spotlight On John Williams, music by John Williams; the City Light Symphony Orchestra, conducted by Kevin Griffiths; album produced by Pirmin Zängerle and Martin Korn; liner notes by Basil Böhni; album art direction by Roger Krütli (Prospero Classical)
FILM MUSIC RECORD LABEL OF THE YEAR
- La-La Land Records, MV Gerhard and Matt Verboys
- Intrada, Douglass Fake and Roger Feigelson
- Moviescore Media, Mikael Carlsson
- Music Box Records, Cyril Durand-Roger and Laurent Lafarge
- Quartet Records, José M. Benitez
ROBERTO ASCHIERI SPECIAL AWARD
- Nick Redman
KYLE RENICK SPECIAL AWARD
- West Side Story, music by Leonard Bernstein, lyrics by Stephen Sondheim, conductor Gustavo Dudamel, arranger David Newman, song and vocal producer Jeanine Tesori, music consultant John Williams