FILM SCORE OF THE YEAR
- Romeo and Juliet, music by Abel Korzeniowski
- Evil Dead, music by Roque Baños
- Grand Piano, music by Víctor Reyes
- Gravity, music by Steven Price
- The Hobbit: The Desolation of Smaug, music by Howard Shore
FILM COMPOSER OF THE YEAR
- Abel Korzeniowski
- Roque Baños
- Laurent Eyquem
- Steven Price
- Brian Tyler
BREAKTHROUGH COMPOSER OF THE YEAR
- Laurent Eyquem
- César Benito
- Sarah Class
- Alexander Ebert
- Steven Price
BEST ORIGINAL SCORE FOR A DRAMA FILM
- Romeo and Juliet, music by Abel Korzeniowski
- The Best Offer [La Migliore Offerta], music by Ennio Morricone
- The Book Thief, music by John Williams
- Copperhead, music by Laurent Eyquem
- Summer in February, music by Benjamin Wallfisch
BEST ORIGINAL SCORE FOR A COMEDY FILM
- The Secret Life of Walter Mitty, music by Theodore Shapiro
- Instructions Not Included [No Se Aceptan Devoluciones], music by Carlo Siliotto
- Quai d’Orsay, music by Philippe Sarde
- This is the End, music by Henry Jackman
- Venus in Fur [La Vénus à la Fourrure], music by Alexandre Desplat
BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE/THRILLER FILM
- Grand Piano, music by Víctor Reyes
- Iron Man 3, music by Brian Tyler
- Passion, music by Pino Donaggio
- Rubinrot, music by Philipp F. Kölmel
- Stalingrad, music by Angelo Badalamenti
BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION/HORROR FILM
- Evil Dead, music by Roque Baños
- Escape From Tomorrow, music by Abel Korzeniowski
- Gravity, music by Steven Price
- The Hobbit: The Desolation of Smaug, music by HowardShore
- Star Trek Into Darkness, music by Michael Giacchino
BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE
- The Wind Rises [Kaze Tachinu], music by Joe Hisaishi
- The Croods, music by Alan Silvestri
- Epic, music by Danny Elfman
- Frozen, music by Christophe Beck
- Planes, music by Mark Mancina
BEST ORIGINAL SCORE FOR A DOCUMENTARY
- Tim’s Vermeer, music by Conrad Pope
- Africa, music by Sarah Class
- Anne & Alet, music by Mark Rayen Candasamy
- Die Nordsee: Unser Meer, music by Oliver Heuss
- Space Shuttle Columbia: Mission of Hope, music by Blake Neely
BEST ORIGINAL SCORE FOR TELEVISION
- Isabel, music by Federico Jusid
- Czas Honoru, music by Bartosz Chajdecki
- Da Vinci’s Demons, music by Bear McCreary
- El Tiempo Entre Costuras, music by César Benito
- Game of Thrones, music by Ramin Djawadi
BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA
- Remember Me, music by Olivier Deriviére
- Assassin’s Creed IV: Black Flag, music by Brian Tyler
- Beyond: Two Souls, music by Lorne Balfe
- Company of Heroes 2, music by Cris Velasco
- Puppeteer, music by Patrick Doyle
BEST ARCHIVAL RELEASE OF AN EXISTING SCORE – RE-RELEASE OR RE-RECORDING
- The Salamander, music by Jerry Goldsmith; re-recording conducted by Nic Raine; album produced by James Fitzpatrick; liner notes by Frank K. De Wald; album art direction by Paul de Blieck, Johan van den Broeck and GINKO DIGI (Prometheus/Tadlow)
- Breakfast at Tiffany’s, music by Henry Mancini; album produced by Douglass Fake and Roger Feigelson; liner notes by Jeff Bond; album art direction by Joe Sikoryak (Intrada)
- QB VII, music by Jerry Goldsmith; re-recording conducted by Nic Raine; album produced by James Fitzpatrick; liner notes by Frank K. De Wald; album art direction by Damien Doherty, James Fitzpatrick and GINKO DIGI (Prometheus/Tadlow)
- The Wild Bunch, music by Jerry Fielding; album produced by Lukas Kendall; liner notes by Lukas Kendall and John Takis; album art direction by Joe Sikoryak (Film Score Monthly)
- Wyatt Earp, music by James Newton Howard; album produced by Dan Goldwasser; liner notes by Tim Grieving; album art direction by Dan Goldwasser (La-La Land)
BEST ARCHIVAL RELEASE OF AN EXISTING SCORE – COMPILATION
- Lethal Weapon Soundtrack Collection, music by Michael Kamen, Eric Clapton and David Sanborn; album produced by Neil S. Bulk and MV Gerhard; liner notes by Jeff Bond; album art direction by Jim Titus (La-La Land)
- Doctor Who: The 50th Anniversary Collection, music by Various Composers; album produced by Mark Ayres, Reynold DaSilva and David Stoner; liner notes by Mark Ayres; album art direction by Stuart Ford (Silva Screen)
- Michel Legrand Anthology, music by Michel Legrand; album produced by Stéphane Lerouge; liner notes by Stéphane Lerouge; album art direction by Jerome Witz-Gilles Guerlet (Universal/Écoutez le Cinéma!)
- Varèse Sarabande: A 35th Anniversary Celebration, music by Various Composers; album produced by Robert Townson; liner notes by Robert Townson; album art direction by Robert Townson and Bill Pitzonka (Varèse Sarabande)
- The X-Files: Volume Two, music by Mark Snow; album produced by Mark Snow, Mike Joffe and Nick Redman; liner notes by Randall D. Larson; album art direction by Mark Banning (La-La Land)
FILM MUSIC RECORD LABEL OF THE YEAR
- La-La Land Records, MV Gerhard and Matt Verboys
- Intrada Records, Douglass Fake and Roger Feigelson
- Moviescore Media, Mikael Carlsson
- Prometheus Records/Tadlow Music, Luc Van de Ven and James Fitzpatrick
- Quartet Records, Jose M. Benitez
FILM MUSIC COMPOSITION OF THE YEAR
- “Abominations Rising” from Evil Dead, music by Roque Baños
- “The Book Thief” from The Book Thief, music by John Williams
- “The Grand Finale” from Escape From Tomorrow, music by Abel Korzeniowski
- “Beyond the Forest” from The Hobbit: The Desolation of Smaug, music by Howard Shore
- “A Thousand Times Goodnight” from Romeo and Juliet, music by Abel Korzeniowski
SPECIAL AWARD
- The Salamander, score reconstruction by Leigh Phillips
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